{"id":274,"date":"2025-05-10T00:01:00","date_gmt":"2025-05-10T00:01:00","guid":{"rendered":"https:\/\/abjohnson.net\/vita\/?p=274"},"modified":"2025-05-10T19:26:46","modified_gmt":"2025-05-10T19:26:46","slug":"elsewhere","status":"publish","type":"post","link":"https:\/\/abjohnson.net\/vita\/elsewhere\/","title":{"rendered":"Elsewhere Online&#8230;"},"content":{"rendered":"\n<h5 class=\"wp-block-heading\">Teaching Site<\/h5>\n\n\n\n<p class=\"\"><a href=\"https:\/\/abjohnson.net\/teaching\/\">https:\/\/abjohnson.net\/teaching\/<\/a><\/p>\n\n\n\n<h5 class=\"wp-block-heading\">Poetry<\/h5>\n\n\n\n<p class=\"\">&#8220;<a href=\"https:\/\/www.solumpress.com\/contributors-fred-johnson?rq=fred%20johnson\">I Yell Out at This Fool Deer in the Road<\/a>.&#8221; <em><a href=\"https:\/\/www.solumpress.com\/publications\">Solum Journal<\/a><\/em>, vol. 5 (2024): 22. Print. (Poem)<\/p>\n\n\n\n<p class=\"\">\u201c<a href=\"https:\/\/www.ekstasismagazine.com\/poetry\/2023\/leaving-the-bridge\">Leaving the Bridge<\/a>.\u201d&nbsp;<a href=\"https:\/\/www.ekstasismagazine.com\/\"><em>Ekstasis<\/em><\/a>&nbsp;(Oct. 2023). Online. (Poem)<\/p>\n\n\n\n<p class=\"\">\u201c<a href=\"https:\/\/www.ekstasismagazine.com\/poetry\/2023\/drift-back-and-sleep\">Drift Back and Sleep<\/a>.\u201d&nbsp;<a href=\"https:\/\/www.ekstasismagazine.com\/\"><em>Ekstasis<\/em><\/a>&nbsp;(June 2023). Online. (Poem)<\/p>\n\n\n\n<p class=\"\">\u201c<a href=\"https:\/\/www.curatormagazine.com\/fred-johnson\/25831\/\">Wrist<\/a>.\u201d&nbsp;<em>The Curator<\/em>&nbsp;(11 Mar. 2021). Online. (Poem)<\/p>\n\n\n\n<h5 class=\"wp-block-heading\">Scholarship<\/h5>\n\n\n\n<p class=\"\">\u201cSelling San Narciso: Pierce Inverarity as Insider-Innovator in&nbsp;<em>The Crying of Lot 49.<\/em>\u201d&nbsp;<em><a href=\"https:\/\/orbit.openlibhums.org\/\">Orbit<\/a>: A Journal of American Literature<\/em>&nbsp;11.1 (2023). Web. ~10,500 words. doi:&nbsp;<a href=\"https:\/\/doi.org\/10.16995\/orbit.9380\">https:\/\/doi.org\/10.16995\/orbit.9380<\/a><\/p>\n\n\n\n<p class=\"\">\u201c<a href=\"http:\/\/kairos.technorhetoric.net\/19.1\/topoi\/johnson\/index.html\">Perspicuous Objects<\/a>: Reading Comics and Writing Instruction.\u201d&nbsp;<em>Kairos: A Journal of Rhetoric, Technology, and Pedagogy<\/em>&nbsp;19.1 (2014). Web. With art by&nbsp;<a href=\"http:\/\/www.scottkolbo.net\/\">Scott Kolbo<\/a>. A multi-threaded webtext built around a ~16,000-word scholarly article.&nbsp;<\/p>\n\n\n\n<p class=\"\">\u201c<a href=\"http:\/\/ccdigitalpress.org\/tes\/02_fleckenstein_johnson_mckinney.pdf\">A Portable Ecology: Supporting New Media Writing and Laptop-Ready Pedagogy at Ball State University<\/a>.\u201d\u00a019 pages.\u00a0With Kristie S. Fleckenstein and Jackie Grutsch McKinney.\u00a0<a href=\"http:\/\/ccdigitalpress.org\/ebooks-and-projects\/tes\"><em>Technological Ecologies and Sustainability: Methods, Modes, and Assessment<\/em><\/a>.\u00a0Ed. D\u00e0nielle Nicole DeVoss, Heidi A. McKee, and Richard Selfe. Logan, UT:\u00a0<a href=\"http:\/\/www.ccdigitalpress.org\/\">Computers and Composition Digital Press<\/a>\/Utah State UP, 2009.\u00a0Web.<\/p>\n\n\n\n<h5 class=\"wp-block-heading\">Work By My Students + My Commentary at <em>The JUMP<\/em><\/h5>\n\n\n\n<p class=\"\">Commentary and Background for George McGuinness\u2019s \u201cThe Cage.\u201d\u00a0<em><a href=\"https:\/\/jumpplus.net\/\">The Journal for Undergraduate Multimedia Projects<\/a><\/em>. 14.1 (2024). Web. &lt;<a href=\"https:\/\/jumpplus.net\/issue-14-1\/the-cage-14-1\/\">https:\/\/jumpplus.net\/issue-14-1\/the-cage-14-1\/<\/a>>. Features, along with George\u2019s \u201cgraphic score\u201d (as in musical score) from my Visual Narratives course, my commentary, George\u2019s commentary, and my course assignment.<\/p>\n\n\n\n<p class=\"\">Commentary and Background for Hannah Charlton\u2019s \u201cThe Shadow of Turning.\u201d\u00a0<a href=\"https:\/\/jumpplus.net\/\"><em>The Journal for Undergraduate Multimedia Projects<\/em><\/a>\u00a03.1 (2011). Web. &lt;<a href=\"https:\/\/jumpplus.net\/issues\/issue-3-1\/167-2\/\">https:\/\/jumpplus.net\/issues\/issue-3-1\/167-2\/<\/a>>. Along with Hannah\u2019s comic adaptation project from my course, this piece features my commentary, additional reviewer commentary, course information, and my extensive class assignment.<\/p>\n\n\n\n<p class=\"\">Commentary and Background for Kyle Kim\u2019s \u201cCloser.\u201d\u00a0<a href=\"https:\/\/jumpplus.net\/\"><em>The Journal for Undergraduate Multimedia Projects<\/em><\/a>\u00a02.1 (2010). Web. &lt;<a href=\"https:\/\/jumpplus.net\/issues\/issue-2-1\/closer-by-kyle-kim\/\">https:\/\/jumpplus.net\/issues\/issue-2-1\/closer-by-kyle-kim\/<\/a>>. Along with Kyle\u2019s video project from my course, this piece features my commentary, additional reviewer commentary, course information, and my extensive class assignment.\u00a0<\/p>\n\n\n\n<h5 class=\"wp-block-heading\">This Old Thing<\/h5>\n\n\n\n<p class=\"\"><em><a href=\"https:\/\/jackiefly.bandcamp.com\/album\/sometimes-obvious\">Sometimes Obvious<\/a><\/em>. 1997. Pretty good Indiana alt rock; I played the drums and learned a lot. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Teaching Site https:\/\/abjohnson.net\/teaching\/ Poetry &#8220;I Yell Out at This Fool Deer in the Road.&#8221; Solum Journal, vol. 5 (2024): 22. Print. (Poem) \u201cLeaving the Bridge.\u201d&nbsp;Ekstasis&nbsp;(Oct. 2023). Online. (Poem) \u201cDrift Back and Sleep.\u201d&nbsp;Ekstasis&nbsp;(June 2023). Online. (Poem) \u201cWrist.\u201d&nbsp;The Curator&nbsp;(11 Mar. 2021). Online. (Poem) Scholarship \u201cSelling San Narciso: Pierce Inverarity as Insider-Innovator in&nbsp;The Crying of Lot 49.\u201d&nbsp;Orbit: A [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[18,19,10],"tags":[17],"class_list":["post-274","post","type-post","status-publish","format-standard","hentry","category-administration","category-arts","category-teaching-and-learning","tag-selected","missing-thumbnail"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/abjohnson.net\/vita\/wp-json\/wp\/v2\/posts\/274","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/abjohnson.net\/vita\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/abjohnson.net\/vita\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/abjohnson.net\/vita\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/abjohnson.net\/vita\/wp-json\/wp\/v2\/comments?post=274"}],"version-history":[{"count":4,"href":"https:\/\/abjohnson.net\/vita\/wp-json\/wp\/v2\/posts\/274\/revisions"}],"predecessor-version":[{"id":453,"href":"https:\/\/abjohnson.net\/vita\/wp-json\/wp\/v2\/posts\/274\/revisions\/453"}],"wp:attachment":[{"href":"https:\/\/abjohnson.net\/vita\/wp-json\/wp\/v2\/media?parent=274"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/abjohnson.net\/vita\/wp-json\/wp\/v2\/categories?post=274"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/abjohnson.net\/vita\/wp-json\/wp\/v2\/tags?post=274"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}